Tag Archives: Lee Van Cleef

Filming Across Cultures: Cowboys, Samurai and Kung Fu Champs in the 1970s

17 May

In the 1960s and 70s, the neighborhood theater functioned as a Cinematheque of global genre films, offering Italian westerns, French crime thrillers, English horror, Soviet fantasy, Japanese samurai films and Hong Kong kung fu films, among other genres. I still marvel at the recollection of seeing such international movie icons as John Wayne, Jean Gabin and Toshiro Mifune in new movies at local theaters when I was still a teenager. I once wrote about this particular movie culture in a chapter for a proposed book on 42nd Street theaters. I’d like to share an excerpt from the chapter, after a few paragraphs of introduction.

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THE GOOD, THE BAD AND THE UGLY: 50 Years Later

29 Dec

Today, December 29th, 2017, is the 50th anniversary of the New York City premiere of THE GOOD, THE BAD AND THE UGLY, the third film in Sergio Leone’s “Man with No Name” trilogy of Italian westerns starring Clint Eastwood (whose character actually has names in the first two films but is only called “Blondie” in the third). In honor of the occasion, I pulled out my old 1998 MGM DVD edition, mercifully unrestored and just like it was when it played in New York theaters back then, and watched it. (I paid several visits to see it on the big screen in 1969-72 and again, years later, when it played the Film Forum.) I even recently found the original Elgin Theater schedule that announced the triple bill of this film with two films by Sam Peckinpah, THE WILD BUNCH and THE BALLAD OF CABLE HOGUE, a seven-and-a-half-hour program which I attended on Saturday, January 29, 1972 with two friends from the Bronx. Continue reading

Aliens, Gunslingers, Samurai and One-Armed Swordsmen: The Genre Films of 1967

15 Nov

The 50th anniversaries of various landmark films from 1967 have been celebrated widely, including in a couple of previous entries here, but this time I want to look back at the unprecedented variety of genre films that came out that year, particularly from other countries, all part of the global cinematic landscape that only gradually came into view to a budding film buff in his formative years and still expanding the more I discover.

I’ve seen more films from 1967 than from any other individual year, 162 at last count, with 71 from the U.S. and 91 from other countries, chiefly Japan, Hong Kong, England and Italy, but also from France, Germany, Mexico and the Soviet Union. My 14th birthday was in 1967 and I saw a total of twenty 1967 releases in theaters in 1967 and early 1968 when lots of 1967 releases finally turned up in the Bronx, nearly all of them Hollywood releases. I saw others in theaters in the following years, including some of my favorites of 1967–EL DORADO, THE DIRTY DOZEN, and Sergio Leone’s “Man with No Name” trilogy–and then quite a few more on TV broadcasts and in revival theaters in the 1970s. I would add more favorites from that year in the home video era as I discovered previously unseen titles on video and DVD, particularly from Japan and Hong Kong. For instance, it wasn’t until 1997 that I finally saw the Jimmy Wang Yu Shaw Bros. classic, ONE-ARMED SWORDSMAN.

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