Tag Archives: Decoy

“Decoy” (1957): A Policewoman in New York

16 Oct

“Decoy” is a TV cop show that aired from 1957-58. There were 39 half-hour episodes and they were all filmed on location in New York City. There is only one recurring character in every episode and that’s Policewoman Patricia “Casey” Jones, played by Beverly Garland. Yes, this is the first of only a handful of cop shows with a central female protagonist. I knew very little about this series until I read J. Hoberman’s review of it in his Video column in the Sunday New York Times of Sept. 3, 2017. I had no idea it was filmed in New York, a full year before the much more celebrated and much longer-running “Naked City” TV series. I learned that the series was available on Amazon Prime, so I watched the first two episodes. I was so intrigued by them that I immediately ordered the complete series box set (for $11.99!) from Amazon.com. One of the things that excited me in the first episode was the use of Times Square and 42nd Street and the generous views of some of the theater marquees in 1957.

Continue reading

CRIME WAVE (1954) – The real L.A. Confidential

2 Mar

Last year, Nicolas Refn’s crime thriller DRIVE, starring Ryan Gosling as a taciturn getaway driver, got lots of praise and was touted by internet fans as a surefire Oscar nominee in several major categories. (It only got one nomination—Sound Editing.) While I enjoyed most of it, its virtues arose from the fact that it was simply a well-executed mid-range genre film, coming out at a time when this kind of film has become quite rare. I thought back to an era when films like this were routinely released, with no fanfare and no critical hype, and tended to be much better than DRIVE. I’m thinking of L.A.-filmed crime dramas and examples of film noir from roughly 1947-1955, e.g. BORN TO KILL, ACT OF VIOLENCE, BODYGUARD, CRISS CROSS, HE WALKED BY NIGHT, HOLLOW TRIUMPH, RAW DEAL, BETWEEN MIDNIGHT AND DAWN, etc.

Another such film is CRIME WAVE (1954), found on a double feature DVD (paired with DECOY, 1946) from Warner Bros., which I watched for the first time yesterday. It’s short (74 minutes), snappy, and shot almost entirely on location in Los Angeles and its environs. What struck me almost immediately is the naturalistic style of the cinematography, with existing light used where possible, dialogue recorded sync-sound on the spot for most of the scenes, and a complete avoidance of Hollywood gloss. It’s almost like a documentary in parts.

Continue reading