JANKEN MUSUME (1955): First “Sannin Musume” Musical

Sannin Musume is the name given to the informal starring trio of Hibari Misora, Chiemi Eri and Izumi Yukimura, the three ranking pop singers in Japan in the 1950s, when they made movies together. They made a total of four and I’ve written about the second and third ones here, ROMANCE MUSUME (1956), on November 9, 2014, and ON WINGS OF LOVE (1957) on March 8, 2015. I’ve seen the fourth, HIBARI, CHIEMI, IZUMI SANNIN YOREBA (1964), but haven’t written about it here yet. The first was JANKEN MUSUME (1955), which I wrote about previously on my J-pop blog, but used lesser-quality screen grabs, so I decided it was high time to watch it again and cover it here. My emphasis in the earlier pieces was on the musical numbers and the films’ frequent uses of American pop songs of the era, sung in both English and Japanese.

ON WINGS OF LOVE (1957): American Songs in Japanese Musicals—and Vice Versa

On November 9, 2014, I wrote about ROMANCE MUSUME (1956), the second in a series of movie musicals starring the group, “Sannin Musume,” consisting of the three top pop stars in Japan of that era, Hibari Misora, Chiemi Eri and Izumi Yukimura. The third film was OHATARI SANSHOKU MUSUME (aka ON WINGS OF LOVE, 1957) and was the last film they made as “Sannin Musume” before going their separate ways (although sometimes two of them would appear together in films). They reunited in 1964, as adults, for HIBARI CHIEMI IZUMI SANNIN YOREBA, which I haven’t written about yet here. The third film, which I’ll refer to as ON WINGS OF LOVE, the English title given on IMDB, is notable for being the first film made in Tohoscope, the first Japanese widescreen process to be used in Japan (by Toho Pictures, naturally). I first heard about this film in a reference in Yoshihiro Tatsumi’s autobiographical manga, A Drifting Life, as depicted in this frame, the caption of which confuses Toho with rival studio Toei:

ROMANCE MUSUME: 1956 color musical from Japan

ROMANCE MUSUME (1956)

When I started attending Japanese film festivals in Manhattan back in the 1970s, there were loads of samurai films and films by major directors like Kurosawa, Mizoguchi and Ozu. The handful of color Japanese films from the 1950s shown back then were chiefly the few done by Mizoguchi and Ozu; the SAMURAI trilogy (1954-56) and other samurai films directed by Hiroshi Inagaki and starring Toshiro Mifune; and a few sci-fi films directed by Ishiro Honda, including RODAN and THE MYSTERIANS (although I first saw both of these on TV). Also shown back then was Teinosuke Kinugasa’s GATE OF HELL (1953), which I was led to believe at the time was the very first Japanese color feature (and an Academy Award winner for Best Costume Design and recipient of an Honorary Oscar for Best Foreign Language Film released in the U.S. in 1954).