Archive | Hollywood Cinema RSS feed for this section

The Blaxploitation Era: A Scrapbook from the ’70s

20 Feb

In going through old file boxes from the 1970s, I found a number of clippings that effectively illustrate the Blaxploitation era of Hollywood filmmaking, a period from roughly 1971-75, when action and other genre films showcased black heroes and heroines, usually in reworkings of standard genre formulas. They were made quickly and cheaply to capitalize on a trend that could fade out at any time as it eventually did after its peak in 1972-73. These films played grindhouses and neighborhood theaters but also, for a time, premiered at the biggest Broadway movie palaces and commanded ads and constant press coverage. I usually saw them at Bronx neighborhood theaters where they were often paired with Italian westerns and, later, kung fu films, a trend which gradually displaced Blaxploitation. I’d like to share some of what I clipped 45 or so years ago, supplemented by movie stills from my collection and posters copied from IMDB and other sites.

Continue reading


Our First TV Set: 1955-1962

24 Dec

This picture shows my older brother Dennis playing in front of the TV set in the living room on Christmas Day, 1955. This is the only picture I have of the family set that I did all my early watching on, from 1955 to the spring of 1962, when it broke down for good. We watched tons of movies on that set, as well as all manner of TV shows, from cartoons to the Mickey Mouse Club, the Three Stooges to Abbott & Costello, westerns, crime shows, adventure shows, sitcoms and assorted kiddie hosts. From about the age of five, I paid enough attention to remember the titles of most of what I saw, especially the movies, so I thought I’d reminisce about the viewing highlights of those years. This is only the tip of the iceberg.

Continue reading

Aliens, Gunslingers, Samurai and One-Armed Swordsmen: The Genre Films of 1967

15 Nov

The 50th anniversaries of various landmark films from 1967 have been celebrated widely, including in a couple of previous entries here, but this time I want to look back at the unprecedented variety of genre films that came out that year, particularly from other countries, all part of the global cinematic landscape that only gradually came into view to a budding film buff in his formative years and still expanding the more I discover.

I’ve seen more films from 1967 than from any other individual year, 162 at last count, with 71 from the U.S. and 91 from other countries, chiefly Japan, Hong Kong, England and Italy, but also from France, Germany, Mexico and the Soviet Union. My 14th birthday was in 1967 and I saw a total of twenty 1967 releases in theaters in 1967 and early 1968 when lots of 1967 releases finally turned up in the Bronx, nearly all of them Hollywood releases. I saw others in theaters in the following years, including some of my favorites of 1967–EL DORADO, THE DIRTY DOZEN, and Sergio Leone’s “Man with No Name” trilogy–and then quite a few more on TV broadcasts and in revival theaters in the 1970s. I would add more favorites from that year in the home video era as I discovered previously unseen titles on video and DVD, particularly from Japan and Hong Kong. For instance, it wasn’t until 1997 that I finally saw the Jimmy Wang Yu Shaw Bros. classic, ONE-ARMED SWORDSMAN.

Continue reading

Robert Mitchum Centennial

6 Aug

Robert Mitchum was born on August 6th, 1917, 100 years ago today. (My father was born less than two months later.) I was born on August 6th also, on Mitchum’s 36th birthday. Mitchum died on July 1, 1997, a little over a month shy of his 80th birthday. He happens to be my favorite movie star. I wrote about him here three times already, covering his debut film, BORDER PATROL (1943); his 1949 film, HOLIDAY AFFAIR; and in a piece about Sam Fuller’s THE BIG RED ONE, his appearance in THE LONGEST DAY (1962), where he played the general leading the attack on Omaha Beach, site of the bloodiest fighting on D-Day.

Continue reading

The Art of EL DORADO

29 Jun

50 years ago today, EL DORADO opened in New York City. It was the next-to-last film directed by Howard Hawks and it starred John Wayne and Robert Mitchum. I didn’t see it in 1967; I had to wait till it came back as part of a double feature with William Wyler’s last movie, THE LIBERATION OF L.B. JONES, in 1970, shown at the Earl Theater on 161st Street in the Bronx, just a block away from Yankee Stadium. It’s something of a follow-up to Hawks’ earlier western, RIO BRAVO (1959), which had a similar situation of a small band of lawmen holding a powerful prisoner and fending off attempts by the prisoner’s army of gunslingers to free him. In both films, one of the lawmen is a drunk and has to sober up fast when all hell breaks loose. I wrote about RIO BRAVO in my Dean Martin Centennial piece and I’ll write more about EL DORADO in my upcoming Robert Mitchum Centennial piece, slated for August 6, and in an upcoming piece on the best films of 1967. RIO BRAVO is arguably the better film, offering more layered characters and focusing less on plot mechanics than on character relationships and interactions. It’s a more complex, serious film while EL DORADO is more light-hearted and entertaining. RIO BRAVO is more demanding and, ultimately, more satisfying, but I’ve seen EL DORADO much more often (about ten times to RIO BRAVO’s four or five). It has more clever scenes and imaginative bits of action and great chemistry among its group of lead actors (Wayne, Mitchum, James Caan, Arthur Hunnicutt, Charlene Holt). It also introduces the drunk character (Mitchum) when he’s sober and in full command of his faculties, so we know what he’s like before he sinks into an alcoholic daze. In RIO BRAVO, we just have to accept Wayne’s word that the drunk (Dean Martin) was once his best man with a gun, since we only see him in his drunk phase for roughly the first half of the movie.

Continue reading

Dean Martin Centennial

7 Jun

Dean Martin would have turned 100 today, June 7, 2017. (He died on Christmas Day, 1995.) Martin was initially world-famous as the singing comedy partner of Jerry Lewis in an act that had extraordinary success on stage, in clubs, on TV and in the movies before it broke up in 1956 after escalating tensions between the two finally exploded. Martin went on to a successful solo career singing, recording, acting and teaming up with Frank Sinatra and other performers to make up what has affectionately been called “the Rat Pack.” I don’t recall what my first exposure to Martin was, although I’m sure I saw him on a TV variety show before seeing my first Martin movie, AT WAR WITH THE ARMY (1950), his third movie with Jerry Lewis, at summer camp in 1963.

Continue reading

Steve Cochran Centennial

25 May

Steve Cochran would have turned 100 today, May 25, 2017. (He died in 1965.) He was a character actor who was most active in the 1940s and ’50s, most often playing dark, good-looking heavies in crime films and westerns. He was under contract for a while to Samuel Goldwyn Productions and later to Warner Bros. where he made what I consider to be his best films. He’s probably best known for WHITE HEAT (1949), in which he had a key supporting role as one of the robbery gang led by cold-blooded killer Cody Jarrett, played masterfully by James Cagney in his spectacular return to gangster roles after a decade away from the genre.

Continue reading