Archive | film noir RSS feed for this section

Steve Cochran Centennial

25 May

Steve Cochran would have turned 100 today, May 25, 2017. (He died in 1965.) He was a character actor who was most active in the 1940s and ’50s, most often playing dark, good-looking heavies in crime films and westerns. He was under contract for a while to Samuel Goldwyn Productions and later to Warner Bros. where he made what I consider to be his best films. He’s probably best known for WHITE HEAT (1949), in which he had a key supporting role as one of the robbery gang led by cold-blooded killer Cody Jarrett, played masterfully by James Cagney in his spectacular return to gangster roles after a decade away from the genre.

Continue reading

Raymond Burr Centennial

21 May

Raymond Burr would have turned 100 today, May 21, 2017. He’s most famous for three roles, two on television and one in the movies. On television he first starred in “Perry Mason,” portraying the title character, a criminal defense attorney who won almost every case he took. The series premiered on CBS in 1957 (sixty years ago this fall) and ran for nine seasons (until 1966). He then returned to the role in a run of 26 TV movies that began in 1985 and continued until his death in 1993. (The final film aired after his death.)

Perry Mason 1957:

Perry Mason 1985:

Continue reading

Glenn Ford Centennial

1 May

Ford 2

I’m taking a break from my Japan Journal in order to pay tribute to Glenn Ford, who would have turned 100 today, May 1, 2016. He was a movie star who may not have created as lasting a film legacy as many of his contemporaries, but still had a remarkable 54-year career in Hollywood. He died ten years ago, in 2006, at the age of 90. He had a pretty good 20-year run as a top-ranked studio movie star from the late 1940s to the late ’60s before turning to television and character work, which he did steadily up to 1981, working intermittently after that until his final screen and TV work in 1991, closing out a career that had begun in 1937. He’s probably best-remembered by film buffs today for three films: GILDA (1946), in which he played opposite a sultry, satin-clad Rita Hayworth; the film noir cop thriller, THE BIG HEAT (1953), directed by Fritz Lang; and the western 3:10 TO YUMA (1957), directed by Delmer Daves, in which he served as the film’s antagonist, one of the few times he played an outlaw in his career.

Continue reading

Edmond O’Brien Centennial

10 Sep

Edmond O’Brien (September 10, 1915 – May 9, 1985) would have turned 100 today. I’ve seen him in 39 movies and a handful of TV episodes. He won an Oscar for Best Supporting Actor in THE BAREFOOT CONTESSA (1954) and was nominated in the same category for SEVEN DAYS IN MAY (1964). He acted in Hollywood for 35 years (1939-1974), becoming one of America’s most distinguished character actors, but also having a nice run as a leading man for close to a decade following World War II. He played in a lot of westerns and crime movies during this period and those are the films of his that interest me the most.

Continue reading

The Secret of Convict Lake (1951)

2 Aug

Why is this movie so little-known? Yesterday I was checking the day’s schedule for the Fox Movie Channel and I came across the listing for the THE SECRET OF CONVICT LAKE (1951) at 10:25 AM (EST). The onscreen description sounded really intriguing. I didn’t write it down and it’s no longer available on the Fox Retro website, so I can only tell you it said something about five escaped convicts entering a western town populated entirely by women, with a cast topped by Glenn Ford, Gene Tierney, Ethel Barrymore, Ann Dvorak and Zachary Scott, surely enough to make me sit up and take notice. This premise and that cast are not to be taken lightly. I then looked it up in Maltin’s Movie Guide (the only place I’d ever previously seen a reference for this film) and it said, simply, “Set in 1870s California, escaped prisoners hide out at settlement comprised largely of women; fine cast makes the most of script.” It gave the film a **1/2 rating, which, in Maltin, can often be taken as a *** rating. The director was Michael Gordon, who had a few credits I liked very much, including PILLOW TALK and PORTRAIT IN BLACK. So I made plans to watch it. This is the kind of minor studio film that used to play constantly on local broadcast TV back in the day when local channels ran movies during the day, at night and on weekends, yet I don’t recall this one ever playing.

Continue reading

1947 Blogathon: Postwar Hope and Despair: ONE WONDERFUL SUNDAY and VIOLENCE

14 Jul

This entry is part of the 1947 Blogathon sponsored by Shadows and Satin and Speakeasy. I chose two films from 1947 to write about and my original plan was to do separate entries on them, but after watching them back-to-back, I realized that the contrasts between them were so interesting that I thought it best to do a comparison piece. The first is ONE WONDERFUL SUNDAY, Akira Kurosawa’s incisive portrait of postwar lovers in Tokyo caught up in a cycle of poverty, and I chose it because it was a Kurosawa film that I’d never seen before and this would be a good opportunity to finally see it.

The second is VIOLENCE, a low-budget melodrama from Monogram Pictures about an organization exploiting war veterans for power and profit, and I chose it because it was the closest thing I could find to a conspiracy thriller from 1947, a year filled with events in the U.S. that fueled so many conspiracy theories for years to come.

One film was made in a country recovering slowly from defeat and the ravages of war, while the other was made in a country flush with the glory of victory and newly emergent on the global stage as the dominant world power, yet the stories they tell offer a reversal of sorts.

Continue reading

Richard Widmark Centennial

24 Dec

Richard Widmark would have turned 100 this coming Friday, December 26, 2014. He died only six years ago on March 24, 2008, at the age of 93, having outlived 95% of his co-stars from the Golden Age of Hollywood. (Kirk Douglas, Sidney Poitier, Robert Wagner and Doris Day are among the few who have outlived him and are still with us. Lauren Bacall outlived him by six years.) Widmark had a solid career as a leading man in Hollywood from the late 1940s to the early 1970s before turning to character parts (and the occasional TV movie lead) in the 1970s to early ’90s. His last movie role was in TRUE COLORS (1991) and his last TV role was the male lead in COLD SASSY TREE (1989).

Continue reading