One of the things I picked up during my trip to Tokyo that I wanted to share with readers is a Japanese film magazine from 1965 called Eiga Story, found at a flea market table in Ueno Park amidst tons of other old film magazines and comics. On the cover is a photo of Hayley Mills, who’d been a child star in Disney movies (e.g. POLLYANNA and THE PARENT TRAP), and had finally graduated to teenage roles at the time, getting her first screen kiss that year in THE TRUTH ABOUT SPRING. I opened the magazine on the spot and was happy to see excellent-looking color spreads devoted to popular Hollywood films and stars of the time with b&w entries devoted to numerous releases in Japan of Hollywood and European films. Since I was going to films regularly in 1965 and had even seen some of these films during their initial release, I was curious to see what Hollywood films got the most hype during their release in Japan.
On Friday, June 12, 2015, I paid a trip to the Museum of Modern Art to see a 35mm showing of the 1929 two-color Technicolor silent film, REDSKIN. I was pleasantly surprised to see some spectacular film posters adorning the walls of the lobby area outside the theater and in other spaces in the museum. These posters were all from Martin Scorsese’s collection and were on display as part of an exhibit entitled, “Scorsese Collects.” The exhibit remains on display until October 25, 2015 and I urge interested parties in the New York area to visit the Museum (preferably on a Friday night when film screenings are free) and see them up close.
Ever since I saw THE AVENGERS two summers ago I’ve been hoping that Marvel would feature Scarlett Johansson as her Black Widow character in a standalone film that was more of a thriller than a superhero movie. When I saw the trailer for LUCY in May I was pleased to see that she’d finally gotten her own action movie. I was also intrigued by the similarity of the plot elements to different anime I’ve seen, most notably “Baoh,” about a government experiment that turns a hapless subject into a super-soldier who then escapes and goes rogue. Internet forums have suggested LUCY’s similarity to an anime series called “Elfen Lied,” which I’ve never seen but am now determined to see. The protagonist of “Elfen Lied” is also named Lucy. All of this compelled me to go see LUCY last night.
Sunday, my last full day in Paris, found me in the morning waiting on line in the rain to enter the Musee d’Orsay, where a Van Gogh exhibit awaited.
It was the last day of the exhibit, so I’m glad I got to see it even though I had to wait on line a second time inside the museum to see it. I’ve seen Van Gogh paintings before, but not so many of them in one exhibit–and in Paris where most of these paintings originally found their home! No photography was allowed in the exhibit, so I didn’t get any shots, but here’s a famous one that was included:
I spent a week in Paris, July 1-7, and even though I wasn’t there to see movies, I did photograph a number of theaters and movie posters and various locations attesting to the city’s ongoing cinephilia, including a visit to a treat-filled video store up the block from my hotel. And I did get to see one movie while I was there.
I’m surrounded in this room by DVDs and VHS tapes containing, primarily, Japanese animation (films, TV series, made-for-video productions); Japanese live-action films and TV shows (think Godzilla, Ultraman, and Zatoichi); classic Hollywood movies, particularly westerns; Hong Kong movies, particularly kung fu; and plenty of other stuff (Italian westerns, classic cartoons, Criterion box sets, Japanese pop music concerts, etc.). I’m a big believer in physical media. I like holding a film in my hand. I like knowing it’s on a shelf where I can get it and not have to depend on a TV station showing it or a website streaming it. (I once worked in a film library where everything was on 16mm film.)
I created this blog so I can write about some of the stuff I watch, with the emphasis on classic film, anime and Japanese live-action entertainment. Much of it is pretty obscure, so there might not be many places to read about these titles. I like to write reviews for IMDB (Internet Movie Database) when I find something that no one’s yet reviewed or has only one or two comments. (I use my real name on all my reviews and have been submitting them since 2001.) A recent review I submitted was for “Ultra Q,” the 1966 Japanese TV series produced by special effects genius Eiji Tsuburaya and the forerunner of “Ultraman.”